Mastering the right kit part2

Happy Tuesday from Prospect.

Well, back in the studio today perfecting the traveling headshot kit. Today we set up the typical clam shell.

(Kit part 1 link here)

This set-up is typically used in fashion but works exceptionally well for head shots, when set-up right, and the beauty is it can have a black, dark (non distracting) or pleasing, environmental, background depending on your light ratios. The kit only includes one main light and an optional second light to add separation where and when needed.

Something I wanted to add. I, for the umpteenth time, heard Zack Arias' ( his link is on the side bar) talk about an honest and inexpensive starter kit when starting out as a a photographer. He chose a Canon 5D mark 1, 2 primes and some basic flash gear, all used for easy pocket book pricing. What he failed to mention is why this gear. Although it may not be the latest and greatest in camera gear with oodles of mega pixels, it is a full frame package that fits a productive bill that delivers real results your client will love.

Full frame vs Crop sensor discussions are all over the place. Sorry, Full Frame rules…and delivers, period. (My XPro-1 is the only crop I've ever enjoyed and I use it for street, not business or deliverables.)

So for the shoot today, I used just that. I shot some of these with a 5D mk1 (this is my back-up body) with an 85mm f1.8 and the rest with a 5D mrk2 with a 70-200mm f2.8. Same strobe and separation flash set-up for both. Doubt you can tell the diff and I'm not tellin'. (Aperture/shutter speed/ISO/white balance are identical between the two. That's what happens when you take the time to calibrate your gear. PREVIOUS POST HERE) 

BTW, when I'm in the studio or on location doing these I always want my clients to enjoy themselves so we shoot as much fun stuff along with the final serious pieces, even if they don't leave the studio and no one else sees them. It makes for a better shoot and my clients end up much happier that they decided to do these. No humdrum Walmart here.

Good Headshots are just as important as your business card or brand. It's what you put forward. Can you really afford to go cheap. A Bad headshot (Maybe shot from your computers camera. Don't laugh, I see it all the time) is just as detrimental as a bad logo (50 bucks online).

Stop hurting yourself and look good to your potential clients, it's worth it.

Enjoy the fun poses, Derek

Trolley on the Island part 2 (AKA, The Holiday Island Adventure)

Good Tuesday from Prospect.

For today I'm going to redirect you to my photo website blog (derekmasonphotography.com BLOG) instead of duplicating it here. It's more about the shoot than the time on the boat. You know, the deliverables part of the shoot. This is part two of the Holiday Island shoot, found here (Holiday Island Shoot).

Camera set-up ISO100, f8, 1/500th in vertical on a Manfrotto Pan Head

On Location on the Upper deck of the Holiday Island (ferry between Nova Scotia and PEI June 2011)

Enjoy, Derek

Head Shots that DON'T HURT

Good Thursday from Prospect,

My new Photography site is up and running and filling up with current works.

Check it out here [ http://derekmasonphotography.com ]. 

In need of that head shot that has life? You know what I'm talking about. one that shows who you are, not the Walmart or department store snap. The one that shows people what you're about.

Well check out the Portrait & Head Shot Portfolio page for some samples of what I do. If you're interested just drop a line through the contact page or place a comment here.

I also do editorial and commercial work, Just Sayin'. 

If that's the bag you're in I'd be happy to take the time to discuss what we can do together.

Hope to hear from you. Enjoy the pics.

Derek